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The first major biography of the Carter Family, the musical pioneers who almost single-handedly created the sounds and traditions that grew into modern folk, country, and bluegrass music.
Meticulously researched and lovingly written, it is a look at a world and a culture that, rather than passing, has continued to exist in the music that is the legacy of the Carters—songs that have shaped and influenced generations of artists who have followed them.
Brilliant in insight and execution, Will You Miss Me When I'm Gone? is also an in-depth study of A.P., Sara, and Maybelle Carter, and their bittersweet story of love and fulfillment, sadness and loss. The result is more than just a biography of a family; it is also a journey into another time, almost another world, and theirs is a story that resonates today and lives on in the timeless music they created.
- Sales Rank: #236800 in Books
- Published on: 2004-02-23
- Released on: 2004-02-23
- Original language: English
- Number of items: 1
- Dimensions: 8.44" h x 1.20" w x 5.50" l, .85 pounds
- Binding: Paperback
- 417 pages
From Publishers Weekly
The Carter Family, Virginia mountain musicians who composed, performed and recorded hundreds of folk songs beginning in 1927, finally get their due in documentary filmmaker Zwonitzer's comprehensive biography. To say that the Carters, who inspired such legends as Chet Atkins, Hank Williams, Elvis Presley and Johnny Cash, had a profound impact on popular American music is an understatement. Zwonitzer follows the Carter family's history from the 1891 birth of A.P. Carter, the musical founder, up through the late 1970s, offering background on the social, economic and technological developments that spawned American folk, country and rock music. The Carter family got its official start when A.P. dragged his wife, Sara, and his pregnant sister-in-law Maybelle to Bristol, Tenn., to sing for a record company scout. The Carters' performance with A.P. singing bass, Sara and Maybelle singing harmony, and Maybelle on guitar earned them a recording contract and a legendary career that spanned three generations. Family and friends reminisce about the forbidden love affair that broke up the Original Carters; Hank Williams's attempt to shoot June Carter; how June and Maybelle Carter sustained June's husband, Johnny Cash, through his drug addiction; and other colorful episodes from the Carters' lives. Zwonitzer writes with flair, weaving anecdotes into a compelling study that will intrigue historians and music lovers alike.
Copyright 2002 Cahners Business Information, Inc.
From Library Journal
With an eye for biographical detail and just the right helping of the vernacular, documentary filmmaker Zwonitzer and Hirshberg, the author of biographies of Elvis Presley and the Beatles, tell the historically important and fascinating story of the Carter family and their music. From the original 1927 recordings of A.P., Sara, and Maybelle Carter, through the 1940s and 1950s tours of "Mother" Maybelle and her daughters, to the marriage of June Carter and Johnny Cash, the history of this family of country musicians and their legacy unfolds through well-written prose. Highlights of the book include a chapter on the importance of the Original Carter Family's broadcasts on the titanic Mexico/U.S. border radio station XERA and the authors' material on the roots of some of the songs found, reworked, and newly composed by A.P. Carter songs that link modern country music to the traditional folk music of the 19th century. This is not, however, a thorough study of the individual songs themselves. Through the many anecdotes and quotations, garnered from interviews with surviving family members and from study of previously published material, the Carters and their associates come across as real people perhaps the book's greatest contribution. Highly recommended for all public libraries and for academic libraries with a focus on American vernacular music. James E. Perone, Mount Union Coll., Alliance, OH
Copyright 2002 Reed Business Information, Inc.
From Booklist
*Starred Review* The Original Carter Family's 300-plus recordings, many of songs considered traditional and authorless, are the bedrock of country music. In arguably one of the best country-music books ever written, Zwonitzer (Hirshberg gathered facts, found informants, and goaded Zwonitzer into realizing the book) shows that Alvin Pleasant Carter (1891-1960) gathered old songs but habitually, and often genuinely, improved them. His wife Sara (1898-1979) and sister-in-law Maybelle (1909-78) did the same, less prolifically, and Maybelle created unique guitar and autoharp accompaniment styles that combined rhythmic and melodic lines. All three grew up remote from urban amenities in largely self-supporting families, but they weren't innocents. Pleasant craved recognition and drove the trio's career. Sara's haunting voice anchored their music for as long as her homebody reflexes allowed, but finally she left Pleasant for one of his younger cousins, with whom she settled in California. Maybelle became a trouper, brought her three daughters in when Sara and later Pleasant left the act, and finished as a revered country-music elder in son-in-law Johnny Cash's road show. The original trio members' contexts, Ralph Peer and the beginnings of the country-music industry, and the Carters' immense Depression-era success on megawatt "border radio" are just some of the byways Zwonitzer pursues as he stitches miles of oral-history testimony into friendly, informal, but never oafish prose. Magnificent. Ray Olson
Copyright � American Library Association. All rights reserved
Most helpful customer reviews
40 of 40 people found the following review helpful.
A Book By Which Others Will Be Measured
By Foster Corbin
There is not a dull page in this 397 page account of The Carter Family. The writers manage to strike a happy medium between a scholarly treatise and a popular biography, something I find very appealing. In addition to being a biography of the Carters, the book also is a history of country music in the first half of the Twentieth Century roughly and a statement on rural Southern sociology of the time as well.
The book is full of information that I suspect is told for the first time as well as trivia many of us knew but had forgotten: For example, there was a time when soft drinks were called "dopes" in East Tennessee. I had forgotten that and that my aunt wore Blue Waltz perfume. (There is a funny account of Maybelle's breaking a bottle of this dreadful perfume she was using as a slide for her guitar in a recording session.) I laughed out loud to learn that Helen Carter, who could learn to play any instrument almost immediately, was having trouble with her first accordian. It took Pee Wee King's telling her she was playing the instrument upside down to get her on the right track. The Original Carter Family was the first group to let the women lead as opposed to being backup singers. The less than admirable Ralph Peer of the recording industry coined the term "hillbilly" for the kind of music Carters and other country Southerners played in the early part of the 20th Century. There is a good account of A. P.'s collecting mountain songs all over the South. That contribution alone would make him a giant in folk/country music. Finally we learn a great deal about both generations of this great family, from A. P., Sarah and Maybelle to "Mama" Maybelle and her daughters. I was pleased to learn, for example, that Maybelle was as good and kind a person as she always seemed to be. (She even sat with sick people for part-time employment at one point in her later life when country music was in an eclipse.) There is a poignant contrast between what apparently was the long and happy marriage of Maybelle and A. P. Carter's brother Eck and A. P. and Sarah's marriage that ended in divorce. Certainly there is nothing more heart wrenching than Sarah's dedicating a song over the radio (apparently in the presence of A. P.) to the man she married after her divorce. The song was "I'm Thinking Tonight of My Blue Eyes." Coy Bays, the intended recipient, heard the song all the way in California and came to Texas for his woman. In the many years that A. P. lived alone thereafter, he never stopped loving Sara. She was preceded in death by him. Both of them are buried, however, only two rows from each other (even though Sara died in California and had been divorced from A. P. for many years) in Mount Vernon Cemetery in Maces Springs, Virginia with identical tombstones. Above their names and dates in beautiful pink marble are perfectly round 78 records and the words "Keep on the Sunny Side."
This is a really fine book. Even folks not interested much in this sort of music should find it fascinating. It is the one by which later biographies of the Carters will be judged.
25 of 25 people found the following review helpful.
Clinch Mountain and beyond
By Jerome Clark
To all but a few of us -- that "few" being those who knew them personally -- A.P., Sara, and Maybelle Carter have always been little more than stoic, unsmiling, unreadable faces on the covers of Carter Family reissues. Mark Zwonitzer, assisted by Charles Hirshberg, manages to put breath and life into these three giants of country and folk music. Though they were ordinary people, they possessed an extraordinary gift, and it took them far from the shadow of their native home in Clinch Mountain, Virginia, and into the ears and hearts of people all over the world -- yet without ever revealing very much of anything about themselves.
In a number of ways, this is a sad story. Alvin Pleasant Carter emerges as something of a tragic figure. He is also by far the most interesting personality of the three, even if not possessed of the stunning musical talents of Sara and Maybelle. The book comes most to life, in my opinion, when A. P., without whom none of us would have heard of the Carter Family, is at its center.
As a purely human story, Will You Miss Me When I'm Gone? -- the title comes from one of the family's most doleful songs -- will keep you reading far into the night. In focusing on the personal aspects, however, it foregoes the sort of deeper musical analysis some of us would like to have seen. It also lacks a discography, which one would have thought essential to a volume of this kind. Even so, this is a welcome, informative book which treats its subjects with an appealing warmth devoid of sentimental gloss.
7 of 8 people found the following review helpful.
Rags to Riches Chronicle of First Family of Country
By rodboomboom
Seamless tracing out of these people out of the hills of Virginia who till the end, didn't see themselves as any different from the rest, other than they liked to play and sing music, and people liked to listen.
For one such as I who never knew much about those behind the likes of June and Johnny, this was revealing. Strong characters of A.P. and Sarah and Eck and Maybelle, et al, form the nucleus of this formidiable foundational country/folk.
The ties with the likes of Atkins and Hank Williams and Elvis and Nitty Gritty, etc. are documented in such a unasuming and relaxed way that it seems as though you're there in their warm hospitality which they showed to all who came to Clinch Mountain.
The reader will surely take away fond stories, such as: Maybelle's panic to find instrument for June to play as approach Texas radio gig, writing chord changes on autoharp, June recalling Mom's admonition "You will learn to play the autoharp this week;" or Cowboy Slim borrowing Maybelle's guitar, only to lose it in a poker game; to dreaded Al Gore Sr.'s singing.
Appreciated spiritualness of the Carter's. Interesting point Zwonitzer makes on page 311: "Sam Phillip's boys--Elvis, Carl Perkins, Jerry Lee Lewis, and Johnny Cash--were raised on gospel and country music. .... But their hit songs were the yearnings of the flesh. In fact, by the mid-fifties, everybody seemed to be sings about the scratching the big itch, and Maybelle's more indirect and innocent songs of woodland cottages and myrtle, dewy roses and heavenly light, were starting to feel a little dusty."
Author is real wordsmith. Reading this book is like putting on that ole pair of bluejeans that feels so good and comfortable. Fine example of written documentary of seminal musical group to this country's rich musical lore.
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